Vol. 27 No. 2 (2006)

Articles

• Preface

  Petra Broomans, Janke Klok, Henk van der Liet

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• Ut Pictura Poesis - Word and Image in Georg Stiernhielm’s

  Susan C. Brantly

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• ‘Vacker som faux’ : - The Drottningholm Theatre Aesthetic

  Anne-Charlotte Hanes Harvey

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• The Greatest Opera Never Written: Bengt Lidner’s Medea (1784)

  Bertil van Boer

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• “Are you really going to have this person in your living-room?” - Ulrik Brendel’s difficult entry into Ibsen’s Rosmersholm

  Janet Garton

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• Strindberg’s Lycko-Pers resa – Staging the Fantastic

  Barbara Lide

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• Ibsen Transcreations in Iran and India

  Rochelle Wright

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• ‘With Lute, Cloak and a broad-brimmed Hat’ - – Stray Notes on two Drachmann Songs

  Henk van der Liet

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• The innovative and wilful adaptor - – What Carl Th. Dreyer did to Hjalmar Söderberg’s Gertrud

  Morten Egholm

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• “Livet är ett skådespel” - On the Use of the Theatre Metaphor in Swedish

  Godelieve Laureys

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• Two Tango Tales in One

  Petra Broomans, Lars Huldén

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