In an increasing number of European countries new hymnbooks for liturgical use are being prepared or have recently been published. In the same rime ‘Rome’ has ordered the preparation of a directorium seu repertorium of liturgical songs. How can the latter be understood in comparison with the first? In the Netherlands one speaks of a ‘graduate’ of liturgical songs. This article discusses the blessings and disadvantages of such a repertorium.
Yearbook for Ritual and Liturgical Studies biedt onmiddellijk vrije toegang tot alle inhoud met als uitgangspunt dat het vrij toegankelijk maken van onderzoek voor het publiek een grotere wereldwijde kennisuitwisseling ondersteunt. Artikelen in dit tijdschrift zijn gelicentieerd onder een Creative Commons Attribution 4.0 International License (CC BY 4.0).
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