What is Left Unseen
DOI:
https://doi.org/10.21827/historica.46.2.39-43Trefwoorden:
feminist scholarship, autobiography, slavery, decolonial, abolitionism, MOEDSamenvatting
In this article Rosemarie Buikema demonstrates how feminist scholarship has contributed from a variety of perspectives to the study of the dynamics between the subject and the object of knowledge. She in particular shows how she as a Genderstudies scholar has produced new knowledge and insights by means of paying attention to the processes of in- and exclusion, and the accompanying workings of erasure and neglect. She gives the example of an exhibition in which the Museum of Equality and Difference (MOED) re-curated the cultural heritage of abolitionism, giving centre stage to the black, previously enslaved woman Sojourner Truth rather than the white Dutchman Nicolaas Beets.
Gepubliceerd
Nummer
Sectie

Dit artikel is gelicentieerd onder de Naamsvermelding-NietCommercieel-GelijkDelen 4.0 Internationaal licentie.