Artikelen

What is Left Unseen

Auteurs

DOI:

https://doi.org/10.21827/historica.46.2.39-43

Trefwoorden:

feminist scholarship, autobiography, slavery, decolonial, abolitionism, MOED

Samenvatting

In this article Rosemarie Buikema demonstrates how feminist scholarship has contributed from a variety of perspectives to the study of the dynamics between the subject and the object of knowledge. She in particular shows how she as a Genderstudies scholar has produced new knowledge and insights by means of paying attention to the processes of in- and exclusion, and the accompanying workings of erasure and neglect. She gives the example of an exhibition in which the Museum of Equality and Difference (MOED) re-curated the cultural heritage of abolitionism, giving centre stage to the black, previously enslaved woman Sojourner Truth rather than the white Dutchman Nicolaas Beets.

Biografie auteur

Rosemarie Buikema, Utrecht University

Rosemarie Buikema is professor of Art, Culture and Diversity at Utrecht University. She chairs the university’s Graduate Gender Programme (Ggep) and is director of the Netherland’s Research School of Gender Studies (NOG). Her research concerns the role of the arts in the implementation of social justice. Recent publications include Cultures Citizenship and Human Rights (2020) and Revolts in Cultural Critique (2021). She is project leader of MOED.online, the online Museum of Equality and Difference.

Gepubliceerd

2023-07-12