Intermedialidad, imaginación creadora y experiencia vital en "La afinadora de árboles" (2019), de Natalia Smirnoff
DOI:
https://doi.org/10.21827/mistral.3.41197Keywords:
Intermediality, cinema, Argentina, Natalia Smirnoff , Intermedialidad, cineAbstract
La afinadora de árboles (2019), largometraje escrito y dirigido por la cineasta argentina Natalia Smirnoff, narra la historia de Clara Mains (Paola Barrientos), una autora de literatura infantil que, luego de recibir un prestigioso premio internacional, intenta superar su bloqueo creativo reconectando con personas del pasado que la inspiran a esbozar un nuevo futuro. El presente trabajo explora la película de Smirnoff desde una perspectiva intermedial, abordando la articulación de la práctica creadora y trayectoria vital de la protagonista mediante un análisis del diálogo entre lenguajes, códigos y medios artísticos, y su vínculo con cruces y tensiones entre juventud y madurez, espacios privados y públicos, y producción individual y colectiva en el devenir de la cinta.
La afinadora de árboles [The Tree Tuner] (2019), written and directed by the Argentine filmmaker Natalia Smirnoff, depicts the story of Clara Mains (Paola Barrientos), a children’s literature author who, after receiving a prestigious international award, tries to overcome a creative block reconnecting with people from her past who inspire her to imagine a new future. This paper explores Smirnoff’s film from an intermedial perspective, addressing the articulation of the protagonist’s creative practice and life trajectory through an analysis of the dialogue between artistic languages, codes and media, and their links to the intersecting themes of–and tensions between–youth and maturity, private and public spaces, and individual and collective production.
Published
Issue
Section
Copyright (c) 2023 Fernando Valcheff García
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-NC-ND 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
