Mulheres guerreiras "supervivendo" com o cinema
DOI:
https://doi.org/10.21827/mistral.1.39901Keywords:
Cinema Indígena, Vídeo-Carta, Pandemia Covid-19, Corpo, Mulher Indígena, NhemonguetaAbstract
Este trabalho se dedica a investigar vídeo-cartas do projeto Nhemongueta Kunhã Mbaraete, desenvolvido nos primeiros meses da pandemia Covid-19, no Brasil, pelas cineastas Graciela Guarani, Michele Kaiowá, Patrícia Yxapy e Sophia Pinheiro. Defendo a hipótese de que as quatro mulheres expressam em suas imagens o que Silvia Rivera Cusicanqui (2018) chama de supervivências. A partir de uma concepção expandida de corpo (principalmente a partir de Benites 2018), percebo que o encontro entre mulheres e imagens produz potências criativas e curativas semeadora de contaminações afetivas, fazendo germinar e proliferar formas de ser e de superviver com o cinema.
Published
Issue
Section
Copyright (c) 2022 Olívia Érika Alves Resende
This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
Authors who publish with this journal agree to the following terms:
- Authors retain copyright and grant the journal right of first publication with the work simultaneously licensed under a Creative Commons Attribution License (CC BY-NC-ND 4.0) that allows others to share the work with an acknowledgement of the work's authorship and initial publication in this journal.
- Authors are able to enter into separate, additional contractual arrangements for the non-exclusive distribution of the journal's published version of the work (e.g., post it to an institutional repository or publish it in a book), with an acknowledgement of its initial publication in this journal.
- Authors are permitted and encouraged to post their work online (e.g., in institutional repositories or on their website) prior to and during the submission process, as it can lead to productive exchanges, as well as earlier and greater citation of published work (See The Effect of Open Access).
